Structure

The structure of this book is as follows. We will teach you the post ancient Dravidian Tantric sexual arts of the Nirampetian ritual that will open the Nirampetian Tala space and the Odikamuyyan ritual that will open that Odikamuyyan Loka space. These dimensions are linked to all the negative Tala spaces (Nirampetian) and all the positive Loka spaces (Odikamuyyan). This book will teach you the ritual as a whole for both the Tala space and the Loka space. As an Aaiyyanist is is important to journey to many planes, both negative and positive so as to gain a full mastery of all realities in order to understand Brahman much more readily. However, if you are drawn to a particular path such as Talas, rather than Lokas then follow this path as this is what the Universe is directing you to do. In fact if you are reading this you are probably an Aaiyyanist in a previous life and are simply following the path you have taken in many previous lives.

If you think about this simple fact: of all the million of apps and websites there are on this planet, for you to have found this ancient Dravidian knowledge is a miracle. This is because the Universe is willing you on this path. No one thinks like you. You are unique, but have the mindset of the Aaiyyanist, that you share with Us all.

This book will remind you of the ancient knowledge that you already possess and will aid you into the acts that you are already drawn to. The first part of the book will teach you the Nirampetian and Odikamuyyan rituals that can link you with Talas and Demonic entities or Lokas and positive God entities.

After the ritual have been explained the next part of the book will go into details of the various nuances of the Nirampetian and Odikamuyyan such as:

• Petikantanaal (the Sacred act of Orgasm) - this is translated from Dravidian Aaiyyani to English as having an orgasm and this section deals with the best and traditional methods of achieving orgasm while performing the Nirampetian and Odikamuyyan rituals. It is critically important for all parties to achieve the state of Petikantanaal (orgasm) in order for the ritual to be complete, so this section is very important.
• Occiyamanaal is the traditional Dravidian Aaiyyanist sexual practice of oral sex. As there is no penetration between parties during the Nirampetian and Odikamuyyan rituals, there are several volumes on the techniques of achieving orgasm via oral sex as well as tracing the Yantras during the process. This section distills the main methods used by traditional Dravidian Tantric Aaiyyanists in this sacred art.
• Age - due to the powerful force unleashed during the ritual the expected age of any participants should be over the age of 25. This is explained in detail in this section.
• Relationships - Aaiyyanist is about becoming one with everyone, everything and the whole Universe as we are all part of Brahman. In this regard Tantric Aaiyyanists may perform the ritual with their long term partner, or other temple members. The act maybe performed between opposite or same sex, or with people who identify as any sex (transgender, asexual etc...). You do not have to be in a relationship to perform these sacred acts but it should be consensual between all parties involved.
• Kurutitamaal is defined as the Auspicious Time. This is the time that the Tantric Aaiyyanists must to perform the ritual. The Nirampetian and Odikamuyyan rituals open Talas and Lokas and as such they should be performed at different times during the day and night in order to achieve good resonance with the Tala-Loka space. This section details that.
• Appearance - This section deals with how traditional Dravidian Aaiyyanists present themselves while they perform the Tantric sex ritual. It basically deals in how you should physically look in order to facilitate good resonance between yourself and the Nirampetian/Odikamuyyan Tala Loka spaces and also how your physical aspect should mirror the dynamic of Murugan Aaiyyan's relationship with Brahman.
• Facial expression - This section details how you should express yourself visually while performing the ritual to open both Talas and Lokas. Obviously Talas have a negative aspect to them and as such your facial expression should be negative in intent to resonantly link with the Tala. Conversely Lokas are positive in nature and showing positive expressions such as love and kindness will also facilitate resonance with the Loka planes. This has also become a cultural norm in Dravidian Aaiyyanism.
• Speech and language - As for the facial expression section - traditional Tantric Aaiyyanists change their speech to match the Tala space or the Loka space. As well as chanting the Mantra of the sacred Yantras, one can also engage in speech that is positive (loving) or negative (angry) so as to facilitate resonance with the Loka or Tala that you are intending to link with.
• The blocking of Tantric energy (Ekkalikkayan ritual) - this is an advanced technique and is used by traditional Kaaryakartaa-Abhichaara members (of a high level) to retain and keep the Tantric energy inside of them when they reach the state of Petikantanaal (orgasm). This section details how to retain the energy and must be used with caution.
• Karuviakaryanal or Traditional Sexual Tools - This section deals with the various historical sexual tools used in the Nirampetian and Odikamuyyan rituals to aid in the orgasm process. You may choose to use these or not but they are given for completeness.
• As the spiritual forces are very powerful when opening the Nirampetian and Odikamuyyan Tala Loka space, some orthodox Tantric Aaiyyanists prefer to be bound while performing the ritual. This also helps preserve resonance and stops the movement of the body that may disrupt resonance. This technique is called Kattuukkamaal. It is an advanced technique and like the Ekkalikkayan ritual should be used by experienced Aaiyyanists.
• Numbers - This section deals with the number of people who can take part in the ritual. Usually it is two individuals performing this ritual, but it can be more in a Tantric temple or festival setting. This section deals in how to perform the ritual with two or many people.
• In a Tantric Temple setting it is traditional for gifts to be exchanged between the participants, especially if they are unknown to each other. This section deals with the Karmic idea of gifts between participants and how this aides the resonance between the participants and the Nirampetian and Odikamuyyan Tala-Loka dimensions.
• Finally we deal with the ancient art of remote sexual magic as formulated by Guru Hotriya Upadhyaya and expanded by her followers in the centuries that followed after her ascension to Brahman Oneness.