Facial Expression

Facial expression is very important in the Dravidian Aaiyyanist sexual practice just as it is very important in Aaiyyanist dance and traditional Dravidian Theater.

These sex rituals are symbolic and resonant and are designed to open up negative Tala and positive Loka spaces so that the Assinayyanal may become engaged and linked with negative Talas to gain oneness with negative entities; or linked with positive Lokas to gain oneness with positive entities.

To become more attuned to negative energy one (the Atankuyanal) can chant the Tala Yantra of Nirampetian or verbally speak negative words. This is discussed further in the speech and language section. The Atankuyanal can also manifest negativity in their facial expressions when they perform the Nirampetian ritual, i.e. traditionally the adherent who performs as the Atankuyanal will look angry or wide eyed. See the figure below.

Usually the Assinayyanal remains calm and focused as the Atankuyanal performs the Nirampetian ritual and brings the Assinayyanal to organism. In this regard, the Atankuyanal may express a negative expression in their face to allow negative resonance to permeate this space of reality. A negative expression may be smiling-anger, or what Abhichaara Tantrics call Cirippalukuvayan (translated as joyous-rage), such as smiling with your teeth gritted.

Conversely if you wished to link with positive Lokas (positive dimensions) the Atankuyanal would have a loving expression on their face and be filled with love an lust rather than hate and lust. Smiling or showing joy makes one attuned to the positive Lokas that are close to this realm and to the positive Loka of Odikamuyyan. See figure below.

Sometimes Dravidian Aaiyyanists who are attuned to both methods use a mixture of facial expressions (or cycle their facial expressions from hate to love) to convey their resonance to the Tala-Loka space.